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Piano lesson: Learn To Play Mary Had A Little Lamb Without Reading Sheet Music

In this piano lesson you will learn to play Mary Had A Little Lamb without the use of sheet music. We will be a little bit professional and use both hands!

As you probably know Mary Had A Little Lamb is a popular nursery rhyme. Here is the first verse:

Mary had a little lamb
little lamb, little lamb
Mary had a little lamb
its fleece was white as snow

In When testing his invention of the phonograph in 1877 Thomas Edison used this poem and it became the first audio recording to be successfully made and played back.

We will not use sheet music in this piano lesson. Instead we will use a form of piano tablature or shorter piano tab.

Tablature is a form of musical notation, often with numbers and letters, which tells the player where to place his fingers on a particular instrument rather than which pitches to play.

First you’ll have to locate the note C on the piano. On a piano C is the first white key that is to the left of two black keys.

The C we are interested in most is the C on the middle of the piano. This C is called middle C because on the piano keyboard it is right in the middle, near the keyhole.

In our piano tab we will give this C note a number: 1

The white key to the right of C we call 2 and so on. Let’s play some notes:

1 2 3 4 5 6 7

When you have played these seven notes you will come to the next C on the piano.

Let’s try to play a bit of Mary Had A Little Lamb:

Mary had a little lamb

3 2 1 2 3 3 3

You can use the index finger on your right hand to play this melody or be a little bit more professional and use your thumb for all number 1, your index finger for number 2 and your middle finger for number 3.

Let’s continue this piano lesson with the next line:

little lamb, little lamb

2 2 2 3 5 5

Use the little finger for number 5 if you want. The next part is the same as the first piano tab:

Mary had a little lamb

3 2 1 2 3 3 3

Now we are about to finish this song:

its fleece was white as snow

3 2 2 3 2 1

How can you use your left hand? Well, you can make this piece a little bit more difficult and also more rewarding to play by using your left hand for bass notes.

The notes from C to the next C is called an octave. You also have these notes to the left of the middle C. We can call these notes the left octave.

If you use the notes 1-7 in the left octave to play bass notes with your left hand we can notate this in the following way:

3/1 2 1 2 3/1 3 3

3/1 means that as you play the first 3 you also play number 1 in the left octave with your left hand at the same time.

The rest of Mary Had A Little Lamb with bass notes included looks like this:

2/5 2 2 3/1 5 5

3/1 2 1 2 3/1 3 3

3 2/5 2 3 2 1/1

I suggest that you play you left hand 1 with your little finger and number 5 with your thumb. This is the whole song and your piano lesson is over!

The best way to practice is probably to take one line at a time and learn it by heart. When you know the song by heart you can play it anytime and anywhere!

Peter Edvinsson is a musician, composer and music teacher. Visit his site Capotasto Music and download your free sheet music and learn to play piano resources at http://www.capotastomusic.com


Article from articlesbase.com

www.rhythmguitarzero2hero.com In this video I talk about the difference between Triads and 7th Chords. You can get the whole FAQ Series along with some free videos and a Quick Start Guide pdf here www.rhythmguitarzero2hero.com

Free Ebook when you sign my email list www.guitarjamz.com
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Why is it important to learn scales on guitar

There has been a lots of talk whether we, the guitar players, should learn scales or not. Guitarist society has divided into two groups – ones who are saying that learning scales is a waste of time and others who tend to overrate the scales impact on guitar playing.

although I am not a big fan of scales, it is important that every player learns them and here is why.

1. Scales like chords and notes are a part of the music. I would be unwise to leave a part of the music world behind, while learning to play.

2. The more scales you learn, the more music genres and styles you are able to perform. They open you a the wide world of music.

3. Learning scales builds up your speed and precision, which are a vitally important features for a lead guitar players.

4. Scales opens you up the magic world of improvisation. Many of the best players in the world writes songs jamming and improvising, the best even improvises on stage, playing solos that are written on the spot.

Of course. learning all of the scales takes a lot of time and patience, but once you have mastered them, there will be no need to go back and learn them again. And once you get into learning scales, you should go further and learn all scale positions on the neck, not just one one position, it that way, the learning should take a while longer, but the results will be worth it

So if you had any doubts about learning scales, don’t hesitate and start learning them right away.

Some basic scale structures are available here http://www.guitarskilz.net/guitar_lessons.htm

Author is an active musician anduitar teacher. Find out more at GuitarSkilz


Article from articlesbase.com

To read and watch the full piano lesson go to: www.piano-play-it.com In this piano lesson I’ll demonstrate how I’m playing all 12 major scale on piano in the correct fingerings by naming the notes of these piano scales in alphabetical order. Other piano lessons are available in www.piano-play-it.com This piano lesson was made by David Yzhaki I hope you enjoyed it… See ya in the next one!

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Learn to Play Acousitc Guitar

A descendant of the classical guitar, the acoustic guitar has many modern advantages for those who want to learn to play it. The steel strings give the instrument a loud, bright, and developed sound. The acoustic guitar, before the advent of the amplifier, was most generally referred to as simply a “guitar”. Most often, an acoustic guitar is played with a plectrum, or a guitar pick, which is a small and often a heart-shaped material that allows the specific strumming of specific strings. Many players strum using individual fingers as well, which eliminates the need of a pick, while others use picks that attach to each finger, called finger picks, much like what you would see a banjo player using.

Finding a decent acoustic guitar might take some time and money. Unless you’ve got a friend with an extra practice guitar, then you might consider buying a budget acoustic guitar until you not only see how you like it, but so you’ll know what to look for should you buy a more expensive model down the road.

When you are teaching yourself to play an acoustic guitar, the road will be filled with ups and downs, along with leaps and bounds. Try to make it a precedent that you’ll practice at least four to six times per week, at least for 30 minutes each session. And, understand that frustration is a natural part of teaching yourself any instrument. What is important is that you give yourself rewards and keep learning interesting. This can be done by allowing yourself to play along with music you enjoy, even if you don’t know all the chords, looking at guitars in shops, and buying a few products will help you learn with a better and more well-rounded approach.

One cannot simply sit down and learn to play an acoustic guitar without having some basic knowledge about a guitar. Many websites offer information at no cost, which means that you’ll be able to learn a lot without having to pay anything. Learning what makes up the guitar, why and how the sound is emitted, and how tension relates to creating a well-tuned instrument are all a part of the learning process and the fun involved. Having an electronic tuner is also a worthwhile investment. The small, usually LED lights will help you easily figure out if your guitar is properly tuned. Even if the guitar sounds in tune to you, always use a tuner to make sure.

As you begin to teach yourself more, pay attention to the different ways a chord can be played. For example, there are several different ways to play the C and G chords. Being versatile in your playing will allow you to change chords more smoothly later on, without having to worry about difficult finger placements. Also, when learning chords on your acoustic guitar, it is imperative that you build up your hands’ muscle memory. This means that once you have gotten a chord down, practice it without looking down at the frets or strings. Feel for the strings and teach yourself in this manner with each and every chord. Similar to teaching yourself how to type properly, this is one major key to success. Finally, be sure that you allow your fingertips to become properly calloused. Getting your fingers and hands used to the guitar will take some time. But, after only a few weeks, your hands and fingers will not hurt and you will be able to accurately hold a chord without feeling any pain or hand tenderness. Overall, learning to play the guitar, especially a steel-stringed acoustic one, will take an initial investment, namely that of time and dedication. Practice does make perfect, so give yourself plenty of time, varied activities, and always look at different options of when and where you can improve your skill.

Don’t just learn to play the guitar, you should Learn and Master Guitar.


Article from articlesbase.com

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Visit www.GospelKeysUrban.com for more… Jonathan Powell from hearandplay.com shows how to subsitute and alter passing chords to give them a fat contemporary sound. Visit http for more… The “Secrets” Are Out! Learn In 5.5 Hours What It Takes Musicians Decades to Pick Up! How to play tons of PHAT (that is, “FULL”) urban chords off every tone of the scale using the award-winning, step-by-step, “GospelKeys” approach to learning! Tons of voicings, left-hand techniques, right-hand triad tricks, “runs,” and more… that you can outright claim as your own! How to incorporate the “padding element” into your playing to help give the melody a much smoother sound! Very important. Discover highly-used (but rarely talked about) “unofficial shortcuts” that allow you to add “good” dissonance and tension to your playing at the right time. Believe it or not, having a certain level of dissonance present is good when you know how and where to incorporate it. Learn how to shift your thinking from the right to the left. Learn full chords on the left and what to do on the right hand to accompany them. This is certainly a closely-guarded secret that’s going to be completely exposed. Never Beg For Tips And Tricks Again! Implement a host of simple tricks that are guaranteed to instantly add that well-known west coast flavor to your playing (like Jason White and Mike Burrell). Beef up your playing drastically by adding these small little grace notes, slides, and fill-ins to your chord
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